Posts

Showing posts from February, 2022

CLASS VII HISTORY CHAPTER - 10 EIGHTEENTH - CENTURY POLITICAL FORMATIONS

 Q1. What were the offices held by Sa’adat Khan?  Ans. The offices held by Sa’adat Khan were subadari, faujdari and diwani.  Q2. Why did the Nawabs of Awadh and Bengal try to do away with the jagirdari system?  Ans. The Nawabs of Awadh and Bengal tried to do away with the jagirdari system to decrease Mughal influence in the regions by reducing the number of officeholders (jagirdars) appointed by the Mughals. They also reduced the size of jagirs, and appointed his own loyal servants to vacant positions. The accounts of jagirdars were checked to prevent cheating and the revenues of all districts were reassessed by officials appointed by the Nawab’s court. In an effort to reduce the Mughal influence in Bengal, Murshid Quli Khan transferred all Mughal jagirdars to Orissa and ordered a major reassessment of the revenues of Bengal. Revenue was collected in cash with great strictness from all zamindars. As a result, many zamindars had to borrow money from bankers and moneylenders.  Q3. How we

CLASS VII HISTORY CHAPTER 9 THE MAKING OF REGIONAL CULTURES

 Q1. What is Manipravalam? Name a book written in that language.  Ans. Manipravalam means “diamonds and corals” referring to the two languages, Sanskrit and the regional language. A book written in Manipravalam is Lilatilakam which deals with grammar and poetics.  Q2. Who were the major patrons of Kathak?  Ans. Kathak began evolving into a distinct mode of dance in the fifteenth and sixteenth centuries with the spread of the bhakti movement. The legends of Radha-Krishna were enacted in folk plays called rasa lila, which combined folk dance with the basic gestures of the kathak story-tellers. Under the Mughal emperors and their nobles, Kathak was performed in the court, where it acquired its present features and developed into a form of dance with a distinctive style. Subsequently, it developed in two traditions or gharanas: one in the courts of Rajasthan (Jaipur) and the other in Lucknow. Under the patronage of Wajid Ali Shah, the last Nawab of Awadh, it grew into a major art form. Q3.